Lauren Montuori

Lauren started herding digital dinosaurs at Blue Sky Studios on Ice Age and coordinating Pixar crowds for Brave and Cars 2 before realizing live-action VFX was where the real chaos lived. Twenty years later, she's an Executive Producer at Eyeline and Scanline VFX, having climbed from coordinator to the person who makes impossible schedules somehow work. She's shipped everything from Walter Mitty to Maybelline commercials, proving you need the same skills whether you're managing CG crowds or managing actual humans under deadline pressure. FuseFX, Framestore, Rhinofx. She's survived every flavor of production crisis New York and LA could throw at her.